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Showing posts with label Journalism. Show all posts
Showing posts with label Journalism. Show all posts

A festive weekend with b Magazine

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"The b family is not just fashion people and the store is not just for fashion people, it has a wider ranging reach than that" affirms Dal Chodha whilst tucking in to a Cinnamon bun in Soho's Nordic Bakery. "With all of the labels that it sells and has sold, none of them are pure fashion brands and that is precisely why the magazine isn't pure fashion, it just wouldn't make any sense if it were. It is a snapshot on how the b store customer lives. It is a mood board of their interests as much as it is ours" he smiles.  We've met to discuss the fifth issue of b magazine and toast the tenth anniversary of b Store.

Now, as readers of this blog you should all know that London’s b store has long been a mecca for contemporary design. Whilst nurturing some of the best design talent in the capital and beyond, b store have been merging art, fashion and design seamlessly for ten years now. When Jason and Dal talked to b's very own Matthew Murphy and Kirk Beatie about the store as they first mooted the idea of a magazine it soon became clear that it contrary to its name, the b store is more than just four walls of retail.  They described it as a world, the b store world and the eponymous publication explores this ever evolving and fascinating realm. As b store celebrates its tenth anniversary and moves in to its new home on Kingly Street, the fifth issue of b magazine reflects but also looks forward and, as seemingly with anything b related, excites.

"It is going out amongst a sea of titles. I used to love buying bi-annuals and I still do to some extent but I do feel that many are saying the same things to me" reveals Chodha with a discernible air of disappointment before defiantly declaring, "for Jason and I, it just makes us work harder. We want to make something that isn't like the other titles out there in what we cover." As with each visit to the institution of retail that is b Store, there is the chance to discover a new designer, an exhibition, a magazine or even just a moment when you talk to them and leave with something new. You can always expect to be surprised and the magazine echoes this spirit wonderfully. Just as the store has always been more than just a physical space, b magazine is more than a bi-annual.

From the first moment I picked up the debut issue of the store's publication back in September, it was clear that is was not your average fashion magazine. Created by long term collaborator and collection stylist Jason Highes and editor Dal Chodha, the title exposes the wider b Store ethos; passion in design and integrity in individuality with a knowing nod to more sartorial affairs. It sells ideas and it sells information. Editorially driven, b magazine looks at creatives from a wonderfully unique angle. It is a title to immerse yourself in and always is a pleasure to thumb.

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From Chodha's interview with designer Martino Gamper.

Highlights of the issue include the Observer’s Eleanor Morgan highlighting the restaurateurs and meeting chefs behind some of London’s most exciting eating experiences from noodles made by foot in Soho to pigs heads in Shoreditch and Dal Chodha talking to the affable furniture designer Martino Gamper in his Hackney studio about his crusade for good mass-market design, while also stealing a look at Nancy Rohde’s chamomile lawn and Ally Capellino’s grape vines. However, the real gem is Ben Purdue's look at the origins of and continued evolution of the store.

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A snapshot of b Store included in 'A Decade Under The Influence'

"It was really difficult at first to think about how we could cover the tenth anniversary. We never want the issue to feel like an advert for b store and thankfully people haven't see it like that. It has never been that and we didn't want to start on the fifth issue. It was difficult to dedicate such a big portion of the features to this subject without it being 'Oh, how amazing is the b store!?', immediately we knew it couldn't be something that I could write so we brought the lovely Ben Purdue in. Also, the people that we quoted had to people that we had never spoken to previously, we could very easily get a quote from Peter or from Christophe, but it was important to hear from the likes of Roksanda Ilinic, Mandi Lennard and Maureen Paley."

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Christophe Lemaire gives thanks and celebrates the anniversary

Ben Perdue's reflective piece on a decade under the influence of b is packed full of choice quotes from friends and family of the store but there is one in particular line that is still bouncing around in my brain. Designer Roksanda Ilinic uttered, "They were and still are a laboratory for creative design and spirit." This simple line rings true and cuts to the very core of what makes b so special. PR legend and former neighbour of the store agrees by adding, "The b store customer was a real person, and it was about a respect for good design - particularly the new wave of designers coming through." b have always been ambassadors for and facilitators of young talent. Much in the same way as the boys have championed emerging talent on the rails of each incarnation of the store, Hughes and Chodha showcase this same spirit within the pages of b magazine. By shooting the likes of (deep breath) Casely-Hayford, Agi&Sam, Matthew Miller, Mohsin Ali, One Nine Zero Six, Satyenkumar and Christophe Lemaire to name but a small selection, the editorials are unlike any other title.

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A Casely-Hayford blazer, top by Kye and shorts by Champion from 'The Luxury Gap' editorial shot by Laurence Ellis and with fashion by Jason Hughes.

"Our stockists pages is incredible because it really is so different from every other stockist page. It is about new-ness. We love looking for new things but not new fangled things that are short-lived. We'd never do a trends page for example. Casely-Hayford, Stephan Schneider, Christophe Lemaire are all labels that the store either sells or will never sell but nevertheless like. We purposely feature brands that you won't see in every other title. Jason has a brilliant way of pulling in these labels that you never think of, or would see them in that way. Designers that lend to us really enjoy seeing the results of what we do. Raimund for example, whose profile is building, is stunned when Jason styles his designs because he always shoots them in a way that surprises him and the Japanese socks by Ayame that grace the cover, certain people in fashion wear them but its about seeing them in a different light, its a case of reinvention. Alot of the pieces in that shoot were made for it and at times, that might be frustrating because we are a consumer title and it might leave them wanting things that they can't have, but with a biannual, you should be pushing the boundaries. We can be creative in that way."

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Jacket and trousers by Agi&Sam and poloneck by John Smedley. From the 'Dubbing in the backyard' editorial, shot by Willem Jaspart and with fashion by Jason Hughes.

"We were an incubator. We never intended to be a luxury brand store and if a label gets above a certain point, it isn't for us anymore. If their brand evolves and they become something else then, of course, they should go on to do other things. Some have fallen by the wayside but some are extremely successful, and it's been great seeing that" Matthew Murphy.

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Suit custom made for story by Satyenkumar and t shirt by Topman Design. From the 'Dubbing in the backyard' editorial, shot by Willem Jaspart and with fashion by Jason Hughes.

"It's about the same size as the last issue but it feels heavier. In terms of the balance between copy and images, there might be more imagery than previous issues and the fashion stories themselves require more attention than ever before. They require more time to take them in, Willem's cover story for example. This being our fifth issue, we decided to move them more than ever. We wanted to surprise the readers. You can't rest on just being a good magazine, it is never enough and you always have to do more, something different."

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Part of London's most exciting dining experiences, Koya's John Devitt pictured with his favourite dish.

Much in the same way as there's a definite sense of b store maturing with the unveiling of the beautiful and custom furnished new Kingly Street space and numerous projects, b magazine grows with each issue. "With this issue more than ever, we've highlighted the idea of getting real experts in their field, Eleanor writes about food for the Observer, Teal who did the piece on Fanzines has written two books on the subject and is also a professor and course director at the London College of Communication" Chodha proudly states. The focus on building the already impressive list of contributors with respected individuals who have a real specialism in what they discuss, is something that is surprisingly quite unique. "There are a number of other titles who use wonderful writers but few have a real specialism."

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Cathy Lomax's Arty magazine

"We haven't ever done anything that feels contrived or forced, It has to be natural and getting someone like Eleanor Morgan onboard, for me was really exciting because we want people with authority. As a consumer, after five issues of a magazine you do start wondering, am I going to continue buying it? You have to justify why people should continue to buy the title. We're working towards this. Firstly by guaranteeing that none of the information we print will be available anywhere else in any way, shape or form and secondly, it is important for people to feel like they are getting specialist advice or information. The title has definitely grown up, it helps to have people like Teal and Eleanor with their expertise and reputation on board. I feel proud that they like what we are doing and that they want to be involved in it as much as we want them to be involved in it."

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Patrick Fry's No Zine

Given the anniversary, it came as little surprise that Chodha had moments of endearing reflection; "As the magazine is so much of what Jason and I and the boys are about at the b store, it would have to be something very different in a further ten years time and maybe, it might not be as relevant as it is now. It is important for us that we see it as something that is 'very now.' I'd much rather it have impact than for it to run out of steam or become stale."

At this moment in time, I cannot fathom b magazine ever becoming stale. The world b magazine weaves through and explores means that it is a publication that is nigh on impossible to put down. From the gardens of creatives to bodies of lesser known work, it concerns itself with the unexpected, uncharted or undocumented. It deals in everything with reassuring familiarity rather than the fantasy or purely aspirational that we have all grown accustomed to in the sea of fashion titles. One thing is for certain, this fifth issue, despite being well thumbed already will provide a welcome haven from the over indulgences of this festive period.

Tom Ford's Rule Number Seven


"Just like girls need to learn to be comfortable in heels before they go out in them for the first time, a man should try wearing a suit throughout a normal day. I do most things in a suit - and sometimes even in a tuxedo - and so I'm really comfortable in one."

Tom Ford's 'Rules of Style' were recently featured on Men.Style and have been making the rounds on the blogosphere ever since. From I've read a number of guys are somewhat bemused by some of his rules (as am I) but surely we can all agree on the above rule. When wearing a suit or tuxedo the Texan born designer looks as though he has never worn anything else. He is so at ease in one of his sartorial ensembles that the material becomes a second skin. One of my New Year's Resolutions (I seem to have knocked up quite a few) is to wear more suits and become as comfortable in one as a pair of worn in APC jeans and a white Martin Margiela t shirt. Currently I love wearing suits (I still get that little buzz of 'power' when wearing one) but I do fidget in one whilst out and love nothing more than returning home and becoming a slob-like again.

The timing of Ford's rules coincide with the look book images for his Spring/Summer 09 collection and there are plenty of suits on show which I'd be happy to wear as my second skin. Ordinarily, I might have dismissed this collection as exaggerated Italian Dandy but I have to admit that I have simply fallen in love with the use of colour, the styling, the hair, the everything. For me, this look would be completed by watching the world go by with espresso on a piazza, an Ateliers helmet (I know these are French but they are beautiful) on the table and a Vespa parked close by. I am dreaming up an Italian summer city break already...

Weekend Reading... b Magazine AW11

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The fifth issue of b Store’s eponymous publication dropped on Friday and it afforded the perfect opportunity to visit their new space on Kingly Street. Along with the issue I left with a couple of early Christmas presents for myself (if you can, go this weekend for yourself). Given that this marks b Store's tenth anniversary, the issue, aptly and hum inducingly named PUSH IT REAL GOOD, is decidedly reflective with an excellent piece penned piece by Ben Purdue. Also in this issue, the Observer’s Eleanor Morgan meets the restaurateurs and chefs behind some of London’s most exciting eating experiences from noodles made by foot in Soho to pigs heads in Shoreditch. The writer Michael Nottingham introduces a photographic portfolio by James Pearson-Howes, which takes a unique look at British life. The graphic-design historian and author of The Typographic Experiment, Teal Triggs profiles four fanzine creators keeping the DIY ethos of print, paper and staples alive. b Magazine’s editor, Dal Chodha, talks to the affable furniture designer Martino Gamper in his Hackney studio about his crusade for good mass-market design, while also stealing a look at Nancy Rohde’s chamomile lawn and Ally Capellino’s grape vines. Fashion is courtesy of Sam Ranger who shoots with Aitken Jolly; b’s editorial and creative director Jason Hughes shoots with Willem Jaspert (the cover story) and Laurence Ellis; and Steven Westgarth shoots a spring/summer 2012 preview with Tom Allen.

I'm currently working on a more in depth feature on the issue which includes an interview with the ever lovely Dal Chodha but in the meantime, I just wanted to share its cover with you. For research purposes I read the pdf version during a recent weekend jaunt to the Kentish coast. As my Nan sat fast asleep in her armchair, TV blaring I was lost in the issue. Enthralled in the copy and dazzled by the inspiring imagery, I'm looking forward to losing myself all over again this weekend with the physical copy...whilst pondering just how Jason Hughes managed to expertly customise a John Smedley roll neck with Ayame socks.

Visions of President Obama


Even though US President-elect Barack Obama will be donning a Hart Schaffner Marx single-button, notch-lapel tuxedo for the evening festivities on Inauguration Day, WWD have asked a number of leading menswear designers to create a day and evening look for this historic day and the pick of their designs can be seen here...

Obama has a lean, toned 6 ft 2 inches tall physique and Rag & Bones's vision for Obama is one which extenuates his sleek silhouette with a well cut suit for day and full on tuxedo with tails to wow his admirers in the evening.


My own personal favourite day/evening look for the US President Elect comes from GQ's Designer of the Year Thom Browne. From these wonderful sketches I envision Obama as being as dancing Fred Astaire like all the way through his swearing in ceremony.

After appearing on the covers of GQ, Esquire, Men's Vogue and Men's Health there can be little doubt that Obama will become a style icon for many. Despite his guaranteed style icon status it is extremely unlikely that I'll ever see a President wearing a sequined jacket as per Richard James' vision for Obama...I can't decide whether this is a good or bad thing...

What would you wear as President of this struggling Superpower?

Bring Back The Hat


Now that I have a bit more time on my hands I'm able to write a lot more than I used to and I'm really enjoying it! As well as inundating you with posts here I've embarked on writing pieces for Fashion156. I wrote the MAN feature in the latest HATS/HEADPIECES issue and within it discussed the decline of hat wearing amongst men (I must admit that I hardly ever wear a hat myself, but this will change over the coming months). Our very first Style Salvage campaign was to get more men wearing hats but not enough has been done so we had to revisit it. There have been many golden eras where a man would consider an outfit incomplete, consider himself naked even, without a hat but now they are rarely even considered in the construction of the everyday outfit. Despite a wealth of inspiration from a number of recent collections (with James Long depicting the hat as an essential facet of the Winter Warrior look during his AW08 collection and Lanvin celebrating distressed straw hats which were reborn with silk ribbons for SS09) this has not been translated into the 'real world'. As always with Fashion156, there is a beautiful editorial containing carefully selected pieces from upcoming designers and these images have inspired me to experiment with head wear even more. Here are my highlights...

Headpieces all by J Smith Esquire

The J Smith Esquire featured headpieces simply steal the show and it is easy to see why Stephen Jones is so excited by the bespoke milliners creations. Following his MA in Millinery at the Royal College Of Art in 2007, Justin Smith continues to develop and push the boundaries of exciting millinery. Since graduating, he has been awarded the iD styling award, the Maria Louisa award at ITS6 and shown at London Fashion Week as part of On/Off. There is no doubt that he approaches hat design quite theatrically, "You can treat hats like sculptures, using any material that you want. I also love that you never wash a hat. So it has its own history that keeps going" remarked Justin in a piece for Interview.

Hat, shirt, harness and tie by Rui Leonardes, Visor by House of Flora

Rui Lonardes
is a designer who is constantly questioning gender stereotypes, blurring the boundaries as he goes (typified by his high heels for men) but he is not a designer that ordinarily leaves me salivating, however his creations here do just that. The visor by House of Flora (a fashion label established by designer Flora McLean, who teaches fashion design and promotion at Middlesex University) makes me think that visors could have a place within men's style outside of the golf course...

In short, there is a great deal of inspirational hat donning out there...the time for a new era of hat wearing is now my friends.

Weekend Reading... It's Nice That and 032c

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With Susie continuing to rack up her airmiles, I too have decided to escape the capital for the weekend but am only heading as far as the Kent coast. Two days of battling the elements (particularly the wind) and elderly Christmas shoppers awaits. Accompanying me on this festive jaunt are two of my favourite publications, the recently tinkered with It's Nice That and the ever hard to put down 032c. The former has experienced something of a transformation for its seventh issue and inadvertently but rather appropriately explores the future of publishing. Features that I can't wait to immerse myself in the beautifully repackaged It's Nice That include profiles of celebrated documentary photographer Martin Parr, interviews with i-D founder Terry Jones and a free comic by the talented illustrator Sophy Hollington. Meanwhile, after more than a decade of tracing the underlying forces of today's creative, 032c takes stock and lays out the concepts that have emerged from its editorial exploration under the manifesto like umbrella of What We Believe. Whilst looking back, the issue treats the well fed mind of the reader with features on Russian tango dancer turned designer Serge Chermayeff, the original Mad Man Ivan Chermayeef and Supreme to name just a few. A weekend of stolen moments to read awaits.  

Designer of the Year - Honey I shrunk the suit


Unsurprisingly GQ have name Thom Browne 'Designer of the Year' in their December issue and there cannot be too many complaints out there...are there? I'm hard pushed to come up with a single other menswear designer who has created such a stir after his shows, not to mention the fact that his indicative style has been replicated throughout the world. Never before have I seen men sporting cuffed trousers complimented by no socks on the scale I have seen on the streets of London this year and this is down to the influence of one man.

Men's style is such an interesting and constantly evolving entity. Who would've thought just a few years ago that someone who advocated high trousers and the shrunken suit would become the toast of the sartorial town? Browne started selling the suits we have grown to love in 2001 and his collections have always been focused around the suit, building on its links to menswear from the past and how the oddity of its proportions threw its reference points into postmodern relief. Since 2001 Browne has of course received many plaudits but he has also received a great deal of negative reviews - there is a constant criticism that the designer is making clothes that look weird on anyone who isn't Thom Browne...I have however seen many Thom Browne's walking the streets this year. His designs have slowly eroded many of our beliefs on what a good suit should be, he has made us question many things about something so simple (or so we thought) as the practical, 'safe' option, the suit. He has done this to such an extent that the same people who initially laughed at the proportions of his creations are now desperate for his next line, whilst feeling self conscious if their ankles are covered. In my opinion he deserves the designer of the year accolade for this alone. Are you happy with GQ's choice?

Weekend Reading... A long sit down with LAW

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Just one week ago I poured myself a cuppa and excitedly flicked through two printed finds, LAW and The Travel Almanac. As the latter has received a fair bit of attention already, I'd like to return to the former. LAW is a platform to portray the beautiful in the everyday. This limited edition bi-annual magazine revels in revealing what others miss. A self titled 'bomb shelter for creative collaboration between the talented youth of today with grit in their teeth and something to say.' For its editor John Holt, style is everywhere. Far away from a runway or glossy publication, it can be an act or a gesture, an accent or slang. It is simply everywhere, all one has to do is look. To help fund the title, John Holt sold his dream car, a 1974 Ford Escort Mark 1. Fittingly, a classic of British style sacrificed to celebrate the wider everyday. LAW is a title concerned with documenting the over looked and giving people a sense of belonging and recognition that they ordinarily might not receive. The aim is to make fashion accessible by challenging perception that it's an elitist world by showing that it surrounds us all. Throughout its fifty three page, it pauses to shine the spotlight on a patchwork of everyday eye catchers including passionate shop owners, matchmakers, tailors, brand devotees, dilapidated funparks and cursed football kits.

In amongst the grey concrete walls, LAW is a window to the world of of the current and undercurrent. A cross section of people, places and items that others blindly walk past, making it even more important to document. The bi-annual shines the spotlight on facets of Britain and localised symbols that would ordinarily not be known outside of these shores. Lets press our noses to the glasses and see...

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John Holt sold his dream car, a 1974 Ford Escort Mark 1, to make his dream magazine. A classic of British style sacrificed to celebrate the wider everyday.

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The featured sneaker collection of Rob Prentice. "There's almost a Nike culture in sneaker collecting", he notes with a smile. From ebay finds to splurges, this collection details Prentice pure elation for kicks.

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Forgotten dreams of an English Summer featuring Christopher Shannon and Air Max 90s.

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Dean Powell's Adidas archive. "When I was a kid everybody had Adidas Santiago football boots and I think the first trainers I had were black and white Adidas Kick." Three stripes, a wealth of knowledge and a fortune of stories.

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Shirley Webb's editorial is close to home. Dreamland is a waiting to be restored themepark in my hometown of Margate. 

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The famous grey Manchester United away shirt. United's record in this kit was as follows. Lost 4 and Drew 1.  A furious Ferguson demand that his team change out of it at halftime at The Dell. They were 3-0 down at Southampton. 

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From Dave Imms series Butchers.

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Giles Peacock has kept every pair of boots he has worn since he was seven. Above is a just a taster of the collection.

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Beauty in the everyday right through to the back page. LAW's pebble dash print.

Here's hoping that LAW will continue to archive real characters and document a cacophony of historic British traces as they shift, evolve and disappear from our surroundings. I'll leave you with words uttered by Jason Evans...

"I differentiate between fashion and style, I think fashion is an industry and style is an inherent quality and I'm much more interested in style than fashion"

Weekend Reading Tip: 032c


Having complained that my blog reader had been inundated with what appeared to be two cloned posts the twentieth issue of 032c is the perfect antidote. Now, it is time to step away from the seemingly ever present and comforting glow of the computer screen and instead focus my gaze on the two hundred and sixty four pages. What began as a DIY, experiment exploring the possibilities of print has grown in to an archetypal magazine that effortlessly fuses art, culture and fashion in a lip smackingly good cocktail. The intelligence and freshness of its content is always something to savour and this issue is thankfully no different. Highlights include (deep breath) a forty page dossier on Rei Kawakubo, a closer look at Acy'teryx's efforts of pushing performance wear forward with its new line Veilance, Rem Koolhaas dicsussing Moscow's new Strelka Institute, David Simon talks anger and the American city while 032c’s latest Select presents the best of this season’s books, products, and ideas.

The twentieth issue of 032c offers welcome relief to the printed culture ennui that most of us have felt in recent years. It is the very antithesis of the quick flick through before throwaway publications that are struggling on the newstands. Now, it is time for another cup of tea and read.

The Documentary And A Dream AW11

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The Autumn/Winter 2011 edition of J. Lindeberg's ‘The Documentary and A Dream’ is the fifth in their series of Biannual Books. The weighty publication was borne out of the desire to tell the complete story of the brand and share their thoughts and values on a level beyond commercial aspects of marketing principles. Each season creatives from various disciplines are invited to freely interpret the seasonal collection and capture a particular theme within the spirit of J. Lindeberg. Here, the talented team have strived to capture the dualism that the label revels in. The quintessentially Scandinavian competing and complimenting the quintessentially continental. Hard clashes with soft, worn against new to create fascinating encounters.

Once again, the contributors list is an impressive one. Joining Creative Director Jörgen Ringstrand are new collaborators David St John-James, Robbie Spencer, Gerry Johansson and Carlotta Manaigo working alongside existing team members including Olivier Zahm, Skye Parrot, Andreas Sjödin, Carl-Johan Paulin, Hannes Hetta, Marine Braunschvig, Marcus Dunberg, Göran Åkestam, Tinka Luiga, Eric Guillemain, Andreas Carlsbecker and Lars Johnson.

The book was launched last night in J. Lindeberg's stunning office and showroom. Now that the hangover sets in and memories of toasting the book thump around my brain, I'm fully aware that the book has now been released. This fifth edition is now available to view at J. Lindeberg stores and online. The narrative it weaves is one that expands way beyond the realms of the standard look book and runway views we are all accustomed to seeing. Throughout the book you are treated to inspiring art works, collages, interviews and an array of wonderful imagery. However, before you go and thumb through it I'd like to share a few of my favourite pages with you...

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Book images supplied by J. Lindeberg. The full book is now available online to view.

J. Lindeberg AW09: The documentary and a dream

J. Lindeberg invite you in to their world...

As I take a well deserved break from the trials and tribulations of packing I thought I'd share a recent bit of post with you. Given the current state of the postal system in the capital, receiving anything through the mail is a rare occurrence and anything received (even a tear inducing, sorry excuse for a bank statement) is something to be treasured. This particular piece of mail however, is something to marvel over and treasure...it currently has pride of place on my coffee table...

Holding up J. Lindeberg's 'The Documentary and a dream' whilst wearing one of their trenches (picked up in Stockholm last year).

The nice folk at J. Lindeberg sent through a copy of their first biannual for me to savour. One of only four hundred copies made, I certainly count myself lucky! The generous large format book evolved from the labels desire to tell the complete story of what they do and why they do it. The story it waves is one that expands way beyond the realms of the standard look book and runway views we are all accustomed to seeing. There are one hundred and eighty two pages of beautiful pictures and illustrations, alongside insightful interviews. I wish more brands pushed themselves to offer more than the usual press materials which circulate after a collection. It is more akin to an issue of Acne Paper rather than your usual look book. Like the Acne Paper it is a publication which weaves together people, imagery, history, newness and takes great pleasure in information exchange and learning. It offers a glimpse in to the inner workings of the industry and the inspirations behind it all whilst, of course showcasing the AW09 offering...

Just one of the many inspiring editorials inside 'The Documentary and a dream'...Photographed by Katja Rahwles

This Scandinavian brand is well-known for the quality of its garments and for its unique philosophy and it is great to see it evolve in this manner. The J. Lindeberg team called in the help of a few close friends and sent them off with a single mission - to capture the inner spirit of J. Lindeberg and in particular, their Autumn Winter 2009 collection.

I can but dream of growing such a beard

Inspiration for the collection came from a combination of Serge Gainsbourg and Yves Klein. It’s about quintessential French masculinity and an approach to life where you don’t save your best necessarily for special occasions but rather, celebrate them every day. This mantra of everyday style is subtly repeated throughout the imagery and text of this book.

One of my favourite illustrations within a wonderful spread by Liselotte Watkins.

The book achieves it's aim to document a world which is more style than trend and one that breaks new ground in traditional areas. It offers a reinterpretation of fashion, sport and elegant functionality which is true to itself. I do hope that it will be deemed a success and be the first of many such bi annuals from the brand. The only downside of such a large format book is that I am going to need a large, reinforced coffee table. If you don't think your table can handle such a book do not despair, the whole thing is available to flick through online here. Now, please excuse me...I have to get back to the joys of packing...

Another example of the beautiful photography contained in this biannual.

A frustrating search ends in creativity for Mr Brûlé


In his weekly column for the the Financial Times (I assure you that I only read this one feature of this publication - I try to bury my head when it comes to the economy), Tyler Brûlé (I know that you love the accents Mr. Wong), the editor of Monocle has revealed his search for the perfect man bag. He suggests that luxury firms should focus their attentions on to their male customers rather than focusing on the female market and this will surely improve their results in these challenging economic times. Unfortunately I do not quite have the same jet set lifestyle that the editor in chief has but I can certainly sympathise with the fact that there is a gap within the market and he has searched for the perfect bags for some time now. To relieve his and others frustrations he has been recommending Tokyo-based brand Porter and has sent people to their shops in Marunouchi, Daikanyama and Omotesando to find their perfect combination of webbing, wheels, handles and secret compartments...but now he has taken matters into his own hands

I’ve been having clandestine meetings with Porter’s creative director, and with this help I think I’ve finally designed the perfect bag for overnight trips to Geneva, long weekends in Liguria and even seven-day tours around Asia. I know you’re asking how the same bag can work for all these trips but I’m of the opinion that hotel laundry services are there to be used – therefore my packing for a two-day trip looks about the same as for a two-week haul.

There have of course been a number of collaborations between Monocle and Porter which are already available online but my favourite is the Porter Shorthauler...I just wish I flew more!


My complex love/hate relationship with Mr Brûlé continues (the fact that he has received both the British Society of Magazine Editors’ Lifetime Achievement Award and a listing among London’s most annoying residents says it all). Whichever side of the fence you fall on, there can be little doubt that he is damn inspiring and in all honesty my dislike towards him is more than likely the result of the green eyed monster.

EJ - Nice bag, hate Mr Brule. Did you ever read Wallpaper*?

Steve - It was never a regular read of mine but I always flicked through it at the newsagents. The price of Wallpaper was off putting...Now I wished I had bought more copies.

Is there something missing in menswear or men's accessories that makes you want to do something about it? I know TheSundayBest has always called for mid-priced accessories for men and I would love to partner with him one day...but how about the rest of you? Also, which side of the fence are you when it comes to
Mr Brûlé?

Weekend Reading... LAW and The Travel Almanac

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With a jetlagged and exhausted Susie sleeping off her New York travels I was eager to make use of a quiet weekend by immersing myself in the printed word. Having started my weekend with a trip to Goodhood (future blog post in the works) I took advantage of the store's excellent array of difficult to source publications and zines. Somewhat spoilt for choice I turned to Kyle Stewart for his recommendations. I left with the debut issue of LAW and the second issue of the The Travel Almanac.

Now, I had already heard positive murmurings around the latter given the features on musician Will Oldham, artist and former fashion designer Helmut Lang, and actress Juliette Lewis which sit alongside various excursion fodder in a aesthetically pleasing and thought provoking package. However, Brighton based John Holt's LAW is a new discovery. This bi-annual is concerned with documenting the overlooked and giving people a sense of belonging and recognition that perhaps they would not normally receive but in no way shape or form less deserve. Where The Travel Almanac explores the beyond and inspires a sophisticated generation of travellers, LAW portrays the beautiful in everyday and focuses on what's right under our noses. Time to put the kettle on and enter these two worlds...

Magazine Musings

Last week we received an email from a Graphic Design student at Staffordshire University, who is writing a Design Report Project on Men's Lifestyle Magazines, asking for our thoughts. It is well documented that I am something of a magazine addict, I often take great pleasure in re-reading through the piles of magazines dotted throughout the flat and I spend far too much time and money in Borders on Charing Cross Road. Anyway, below are my responses and it would be great if you could let us know what you think as well.

If you were to create a men's style magazine, what features and topics would you include?
Wow, what a thought. I would like it to examine everything that inspires and excites me. So many men's style magazines have an extremely narrow point of view, covering topics, styling and designers in a cyclical, formulaic way and I would want to keep people guessing. I admire the ACNE Paper's openness to anything and everything. You really don't know what to expect from page to page. In terms of features it would have to roughly follow the following structure; editors letter including an inspiration mood board, the features section - news, an eye on an upcoming designer, interviews, style icons, culture overview, a buyer's and shop guide, fashion editorials - which would make up at least a quarter of the magazine and would mix designers, reader's style questions, how-to-tips (styling, modification and grooming).

What is the best men's style magazine out at the moment?
I have many favourites but the clear winner is Fantastic Man. It has changed the landscape of men's style magazines for the better, with so many of its competitors and blogs taking inspiration from it. Monocle deserves a mention because it the most interesting and all consuming magazines available. I have a terrible habit of buying and then rapidly flicking through the crisp pages before discarding the recently bought magazine for a later read through (sometimes I forget all about it) but this is impossible with issues of Monocle. You have to take time and actually read the content confined within that small package.

Is the editorial design important to you as a consumer?
I expect every, single aspect of a magazine to be well thought out and work - the editorial design plays an important role and should not be overlooked. I personally like a mix of editorial designs within a single magazine and unfortunately none (that I've found/read anyway) manage to pull this off or maybe they just don't want to. I like simple and clean design (as seen in Fantastic Man) alongside the more varied and frantic design layouts more akin to Japanese Street Mags.

What importance do men's style magazines have to today's man?
Men's style magazines certainly have a role to play in the lives of the majority of style conscious men. They have evolved (certainly for the better) as I have grown up with them. I am quite sure that there is at least one magazine for us all. I am certainly not alone in my addiction/obsession but there are a number of stylish men out there (the Cablog is a prime example) who take no notice of them at all.

Preview of b three

As readers of this blog you should all know by now that London’s b store has long been a mecca for contemporary design. Whilst nurturing some of the best menswear design talent in the capital and beyond, b store have been merging art, fashion and design seamlessly for a number of years now. With each visit to the Savile Row institution, there is the chance to discover a new designer, an exhibition, a magazine or even just a moment when you talk to them and leave with something new. You can always expect to be surprised when you visit the store. Though undeniably a stylish haunt, it has always been more than just a physical space and has certainly offered more than mere fashion. It was therefore, a natural evolution of the brand to venture in to print and thankfully b magazine reflects the energy of the brand beautifully. We have been fans the moment our eager hands grasped the first issue back in September 2009. Created by b clothing’s Creative Director Jason Hughes and Editor Dal Chodha, the magazine exposes the wider b Store ethos; passion in design and integrity in individuality with a knowing nod to more sartorial affairs.

It sells ideas and it sells information. Editorially driven, b magazine looks at creatives from a wonderfully unique angle. The world it weaves through and explores means that this is a publication that is nigh on impossible to put down. It concerns itself with what they are reading, rather than what they are wearing and worries more about familiarity than fantasy. To mark the imminent release of the issue three (Monday 8th November) which includes insightful pieces on BLESS and Stephan Schneider, we caught up with both of its creators to discuss the issue over a cup of coffee and a cinnamon bun. What follows is our meandering conversation and a sneak peek inside the issue...

The cover of issue three.

SS: The magazine feels like a natural evolution of the b brand on to printed paper as it exposes the wider b-Store ethos. What were your inspirations, your dreams and the driving catalyst behind b magazine?
Jason Hughes: I've been working with both Matthew (Murphy) and Kirk (Beattie) from the very first collection and even before that point I worked with Carola Euler who was stocked at the store, so I've known the store and the guys for some time now. We had a very casual conversation about the magazine with them, Dal and myself were clear that there were certain things that we wanted to do and certain things that we didn't want to do. Primarily, we did not want it to be another fashion title because we both felt that there already were enough titles out there, some of which were doing it very well, some doing it not so well. It was very important to us that we were crating a magazine that came from an alternative point of view to anything already out there. We talked to Matt and Kirk about the store; the designers they stocked, the people who shop there or those involved in the store in some way, be that artists who have shown in store or creatives who they have collaborated with in some way and at this point we realised that this was more than a lifestyle. We described it as a world, the bstore world. This notion was of the main catalysts for the magazine. We were excited by how vibrant the b world was, not just in terms of the label or the clothes but the people which inhabited it. More than that though, this pool was a massive source of content for us.


SS: By the very nature of the store, the magazine is much more than an in store publication...
Dal Chodha: In a way it felt like an untapped pool of content. Such amazing people that come in either to shop or interact with it in some capacity.
Jason Hughes: Hopefully the magazine reflects the energy of the store. You can always expect to be surprised when you visit the store, there is going to a new designers, exhibition, magazine in the book corner or even just a moment when you talk to them. The store has always been about the new and I've always admired it for that. Matt and Kirk have always put themselves out there to discover a new designer and to support them, some of whom they have continued to support and some might have fallen off but they've always had a strong relationship with them and grown with them. I've always admired their ability to discover and nurture and this certainly fed in to the publication. At no point did we want this to be an in store magazine but rather, we have always wanted to create a lifestyle publication. Welcome to our world, it is an exciting place.

Unclassified. Welcome to the world of BLESS. Words by Ben Purdue, photography by Franck Sauvaire with Jane Howard as fashion editor.

SS: What was the starting point for the third issue? How did it evolve?
Dal Chodha: It is important for us to offer something that our readers cannot get anywhere else. The research aspect for each issue is the hardest part because we discuss topics that you can only know if you have a personal relationship with the people involved. For example, with regard to the collectors feature in this issue there is no way that your average pr would have that type of information. There is a natural progression from the last issue. We discussed the last issue and ideas on where we would like to take it, areas that we'd like to explore and expand on and this is particularly true within the articles.
Jason Hughes: We tend to have a lot of ideas and there is only a certain you can actually cover in one issue without it becoming repetitive.
Dal Chodha: We are friends as well, so outside of the magazine we share a great deal. We both have folders on our desktops as all of us do of ideas that have captured our imagination so when we meet we both discuss what we have found. For me, my main focus in the features is to talk about people that haven't been exposed in the way they deserve.

B for Baracuta. The SS11 collaboration is previewed. Words by Dal Chodha, Photography by Laurence Ellis with Jason Hughes as Fashion Editor.

SS: I have really enjoyed the recent designer features, Chrishophe Lemaire in the last issue and now Stephan Schneider. These are names people might be familiar with but your features bring them to life. I have to confess that I knew very little about Christophe before his stunning AW09 collection, that collection really made me take notice of his work. So your feature was extremely well timed...
Dal Chodha: Exactly, we've taken this ethos from bstore really. To highlight brands that people in the know, know about but our job is to promote them in a way that is fitting of their talents. We want to take them and elevate them as much as we can. Christophe's work for example is amazing but not enough people know about him or his work.

Stephan Schneider. In conversation with. Words by Dal Chodha and photography by Stefan Heinrichs.

SS: I found it interesting to observe the knock on effect of your feature on Christophe Lemaire. Quite a few publications and websites featured him following your issue launch. He was now on the radar, of course his appointment of Hermes magnified this even further...
Jason Hughes: The Hermes appointment was amazing timing really. We knew nothing about it at the time, neither did Matt.
Dal: It was announced three weeks after I met him in Paris. Of course he would have known but it wasn't mentioned during the course of our discussion.
Jason Hughes: It was really interesting when Tim featured him on style.com and did a review of the show. I think that was partly because of the last issue as well. For us, it felt like the right time to introduce him to a wider circle.
Dal: Both Christophe and Stephan have been in the industry for many, many years and that for us, is an important aspect of fashion. It is, after all a business as well as being inspirational. These guys have built solid foundations for selling clothes.
Jason Hughes: The designers that we feature and shoot are ones that tend not to tackle ephemeral trends and both Christophe and Stephan have certainly shied away from this aspect of fashion. They are much more interested in creating a highly distinct style and in cultivating collection upon collection.

The Collectors. b meets four collectors and discovers the UK's largest collection of vintage Hawaiian ukuleles along the way. Words by Dal Chodha and photography by Clare Shilland.

SS: Within the issue you introduce four collectors and their carefully curated obsessions, including Fraser Moss' vinyl and Katie Hillier's Tim Burton toys. Are either of you collectors?
Jason Hughes: Only obvious things but nothing that specific.
Dal Chodha: Me neither but I think that is what attracted us to this feature even more. It really was a nightmare to research because people kept coming back with "I collect magazines and these inspire my collection' but we wanted to go deeper and unearth a selection of unusual collections.
Jason Hughes: I've always been interested in people that have obsessions. The feature actually began when we had a discussion about fans, from fans of bands to Japanese girls who hoard Chanel bags, this then evolved in to people who obsessively collect things. it is amazing to love something so much. I think Katie's obsession with Tim Burton toys is the most fascinating, she even talks about how the toys inspire her and when she is stuck for a colour palette she goes to her toys, for me that is just genius.
Dal Chodha: These types of features are always so intimate and enjoyable to work on. Clare (Shilland) and I went to each of their houses and you can't help but become enamored with their collections. These people tend not to be asked about these passions.
Jason Hughes: I've always liked the feeling of when you think you know somebody but then discover what is behind that. It is always very interesting, what is behind this hardcore fashion person.

Furniture. Meet the future of furniture design. Words by Lewis Chong and photography by Retts Wood.

SS: Looking back over the issue now, is the collectors feature your highlight?
Jason Hughes: Actually, I really enjoyed the furniture article. For both of us it is a real highlight of the issue and it was borne out of a conversation with Matt, both of us are interested in furniture design, and we began this quest to find the new furniture designers. It was a lengthy process that went on for months but we are so pleased with the results.

In A Lonely Place. Photography by Nicholai Fischer with Jason Hughes as Fashion Editor.

SS: Despite my obvious love of digital media, I have enjoyed a love affair with printed fashion journalism for many years. What were the magazines that you just had to buy each month, quarterly or biannually? Are there any today that still excite and inspire you?
Jason Hughes: Funnily enough, if I were to be obsessive about anything it would be with magazines. I grew up in the 90s idolising magazines like iD and The Face. I'm from a small village in Wales and these magazines acted as escapism but they also informed me and opened my eyes to lots of things. Some of that has had a lasting legacy on me. There was a point in time when they were barometeres of style but times have changed. Now, I like lots of smaller, independent magazines, similar to those that Matt likes actually. The ones that have a distinct personality and are quite niche, obsessive about their subject matter. Aparamento is a great example, so inspiring. The layout is interesting, the people thy feature and their whole perspective of the home is very interesting. It is an antidote to Homes & Garden. I also love 032c, it is one of the only magazines that has been able to successfully merge disciplines of art, design and fashion.
Dal Chodha: I have quite a romantic vision of magazines. I like having to sit and stop and taking time out and magazines should slow people down. I'm not particularly loyal to any title.
Jason Hughes: It is important for me that there is something to read in the magazine, it isn't just a . There should be well written features that are informative and exciting to read. There has to be a balance.

All Those Yester Days. Photography by Willem Jaspert and Sam Ranger as Fashion Editor.


SS: There is certainly that balance in b. How do you see the publication developing in the issues ahead?
Dal Chodha: Thank you. We are really pleased with the balance and we will continue along the same path in future issues. We always have so many feature ideas but for us it important not to overload the reader with information. A magazine should be able to be consumed relatively easily, we just want to create something that can be enjoyed and kept for reference.

In A Lonely Place. Photography by Nicholai Fischer with Jason Hughes as Fashion Editor. .
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In the tricky world of magazine publishing, b Magazine offers a welcome antidote to the over saturation of information on the market, which has led to a dilution of intelligent and informed journalism. It challenges the way we consume, interspersing inspired wisdom with intuitive photography within the traditional format of a fashion and lifestyle title. I'm without doubt that your coffee table or book shelf will be a better place with the addition of this publication so please do pick up a copy next week.