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Showing posts with label AW12. Show all posts
Showing posts with label AW12. Show all posts

Discovering London Cloth Company and Purposeful Activity

Based in the heart of Hackney, the London Cloth Company in a wonderful surprise. Over the last few months, whispers of the existence of this flourishing micro mill located just a short jaunt from my flat have increased to sincere shouts to go and visit it from the likes of S.E.H Kelly and Daniel Jenkins,  both of which use the fabulous tweed that it produces. Having had the opportunity to travel seven hundred odd miles to experience Harris Tweed first hand, falling in with the craft in the process, it would have been ludicrous to fail to hop on the Overground for a few stops. So, as soon as I admired its fruits used in a stunning tobacco wool tweed peacoat, I popped along to explore the goings on behind its unassuming door during a festive open day at the mill last weekend.  

Nestled in a quiet residential area, the workshop is a hive of activity and a treasure trove of machinery. Daniel Harris, the one man-mill behind it all, is part weaver, part engineer. This is his passion, his life. He’s restored old equipment, gleaned advice from masters of the loom and has learnt on the job to develops fabrics for designers, tailors and interested individuals alike. "We prefer not to issue extensive swatch books as we tend to work directly with our customers to create bespoke fabrics," Harris excitedly rolls out as his mind imagines the possibilities. Possibilities that are beginning to be realised as a growing band of designers fall for the charms of his unique mill.

The workshop is home to reclaimed machinery dating from as early as 1850, and includes an ever-growing number of power looms and bobbin winders, and even a warping mill. This gives The London Cloth Company, the capability to facilitate the weaving process from start to finish. "There have been traumatic moments," admit Harris before taking a sip of mulled wine and continuing, "When I was searching for the ideal loom initially, I got a call from a man in Scotland who was retiring, 'Right, you can have it but you've got come and get is soon'. How soon I nervously asked. 'Today' came the emphatic response. Off I went, as soon as I possibly could. We left London at 6am, drove 630 odd miles and arrived at 10pm. Bearing in mind that I'd never seen such a loom in person before, I found them all grinning in the car park, pleased with themselves at taking the machine to pieces. I had to look at a few pictures." Little dampens Harris' passion for quality.

The space is home to a trio of Hattersley looms, the likes of which I've only previously seen in the shed of Donald John MacKay as I experienced Harris Tweed two years ago now, a Frankenstein's monster of a loom built from leftover parts (from the 1920s, the wartime era and the 60s or later) and a three and a half ton, semi automatic beast from Herbert Brown that caused another logistical nightmare. "We had to move this one seven hundred miles. Again, I wanted a slightly smaller one but this beauty was the only one available. It was on the third floor of a mill. I had to hire a crane to lift it out of the building, part of the roof had to removed and it then it had to be broken down into smaller parts to get it to the new home." And what a home. I can't imagine a better guardian than Daniel Harris. Allow me to take you on a little tour of his well crafted world...

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Exploring Daniel Harris' impressive space and snapshots of the weaving process from a pedal powered single loom to a semi automatic monster. 

Used to travelling for my love of documenting craftsmanship, I never dreamt that I would be able to explore and document a flourishing mill located in the heart of my adopted city. As Daniel Harris' vision and capabilities evolve, I'm sure this will be the first of many visits to the London Clothing Company and the hunt begins to find similar individuals located closer to home. Helping me in this search could well be Daniel Jenkins who has just unveiled Purposeful Activity, a considered label made from British materials and with British makers, including London Clothing Company, that will sit alongside his buy from the likes of Lou Dalton, Tender and Baartmans & Siegel. Considering his pursuit of celebrating British menswear, this is a natural and well thought out evolution.

"Time and time again, I was becoming increasingly depressed by the constant chatter that you couldn’t produce unfussy, garments in this country using British materials without having to charge high prices. I felt this to be nonsense. Therefore I decided to show the fallacy of that notion." Jenkins explains. As the first few pieces go live on his site, the British menswear retailer is certainly proving a worthwhile  point.

"I don't want this to become a seasonal fashion label. If we can source a great cloth or come up with an interesting garment then we will put it into production. When it is ready, it'll go online. That's pretty much what happened with Daniel Harris. I happened upon a French blog post about him and thought I would drop him a line. Half an hour later I was stood in the factory and ten minutes after that I had ordered some fabric with no idea what to do with it. To me that's how the best things in business work. Having too much of a plan is a silly idea. It's nice to have an idea but, the ten year business plan idea doesn't apply to fashion. Ten hour business plan more like it. 

The cloth we are working with is exceptional. Same with the shirting. The best thing about both is that they will improve with age and aren't filled with an artificial story. I live - as you know - five minutes from where our cloth was woven. Our first store was about half an hour's drive from where the shirts were sewn. The factory we use in London for tailoring is great, the guys who run it know everything there is to know. Our garments made along side the biggest names."

Having known Jenkins for a number of years now and seen his unwavering support of British menswear, it is a pleasure to see him take it to the next stage. "This is truly a culmination of what we've done for the past five or so years. A chance to show off a different side of the fashion industry that many don't get to see." A side that we love to see. The fact that he was wearing two of the first items under the Purposeful Activity label, the Byron shirt and Nelson Jacket, as we explored Daniel Harris' workshop couldn't have been more perfect and I, of course, had to document it. Also, it was great to see Harris' delight at the sight of his tweed tailored in such a way...

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Daniel Jenkins wearing the Byron shirt in wine Bengal and the Nelson jacket.

Daniel Jenkins has always strived to offer a retail platform for the best of British menswear and the launch of this considered collection of wardrobe staples is a Goodyear welted step forward. This might only be the beginning for Purposeful Activity and I'm keen to see how it evolves as Jenkins uncovers more makers to support and to collaborate with. But more than this, he hopes it will inspire others. I'll leave you with the below war cry.

"I'm amazed by how far British menswear has come but it still has a long way to go. Anything I can do to help I shall. Hopefully this will play a small part in getting the message out that our cloth is great, our factories fantastic and we as a nation are ready and willing to create things which will blow the world away."

Weekend Reading... Fourth & Main Issue 2

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At the start of the year we were introduced to the creative world of Fourth & Main. The brainchild of Nikhil Adwalpalkar and James Wright, the brand entered the market as a capsule menswear collection and a bi-annual arts and culture publication. The debut issue of its Journal read alongside the considered collection of wardrobe staples was a fine introduction. Now, as the brand settles into its Newburgh Street home, we are treated to the second issue and an AW12 collection that extends their philosophy of fine tailoring with a contemporary twist. 

Sanguinely sidestepping sophomore album syndrome, the creative team closely followed the common thread that bound together their featured artists and their subjects. With a cupped hand held behind the collective ear, they have sought out a spectrum of creatives who march to the beat of their own drum. Whether actors, artists, directors, musicians or writers, the second issue is a celebration of those who tell the stories that are largely untold and help turn our imagination on to a world we crave to know. We hear from Ben Whishaw - one of the most sensitive and gifted artists of his generation, look closely at the work of director Steve James, marvel at Turkish Photographer Pinar Yolacan's latest series and get a little closer to the enigmatic talent of Money...

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A few pages that caught my eye.

Picking up where the debut issue left us, issue two of Fourth & Main's Journal is a considered curation of the voices that should be heard, ideas that should be explored and tales that are all too easy to get lost it.

Studio Sounds: Agi&Sam AW12

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Cover art by Little Doodles

Thanks to their penchant for clashing and layering print upon print, Agi&Sam once again opened my mind to print possibilities for AW12. Despite the name being something of a mouthful, 'Darwin's Theory of Why The Chicken Crossed The Road,' the tale behind the collection itself is a simple one. The dyanamic design duo have travelled to the future just before the Apocalypse in fact, where the last men alive on Earth are replicating the finest cloths of the past using what they have at their disposal, namely recycling fabrics from plastics. Throughout, the colourful pair expertly engineer their own print variations of vividly coloured Linton tweeds and fine traditional tartans whilst inspiration comes from a warm nostalgia for M.C Escher and Stanley Kubrick. The dizzying display includes a variety of tessellating repeats, woven fabrics, tweeds tartans, chickens and ducks which prompt the viewer to ask the age-old question; 'Which came first, the chicken or the egg?"

"We don't believe that fashion should be taken too seriously," say Agi&Sam in regular unison but despite their smile inducing designs this is a collection that should be taken seriously. Always aiming to be revolutionary as well as humorous in their approach to menswear, the print princes once again experimented heavily with texture and colour. Stretching the boundaries of textiles, and printing whilst pushing me to consider unexpected print combinations. The use of unexpected combinations were mirrored in their studio playlist. In a workspace that Simon Chilvers' has compared to the bedroom of a frustrated teenager, the boys were listening to an eclectic noise that bounced from Wacka Flocka Flame to Mercury Prize winners Alt-J, 2 Pac to Fleetwood Mac, Neil Young to Craig David. Lend me your ears and prepare to jump in to their disorientating world...

Waka Flocka Flame - No Hands 
The Knife - Silent Shout 
Frank Ocean - Pyramids 
Alt-J - Tesselate 
Kindness - That's Alright 
2Pac - 2 of Amerikaz Most Wanted 
Kavinsky - Nightcall 
Fleetwood Mac - Dreams 
Royksopp - What Else is There (Trentemoller Remix) 
Modrat - A New Error 
Wayne Wonder - No Letting Go 
Neil Young - Alabama 
Craig David - Can't Be Messin' Around 
Lil Wayne - Lollipop 
M83 - Midnight City (Show Music) 
Jeff Buckley - Last Goodbye
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Studio Sounds - Casely-Hayford AW12

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Amazing cover art by Little Doodles

Over the last few months my ears have been regularly transported to the studio of an array of creatives thanks to Studio Music. In addition to providing a soundtrack to my own work, the site provides an interesting insight into the creative process, through the music that they listen to whilst working. Inspired, I thought I'd ask a selection of designers to talk soundtrack our favourite collections of each season. To kick things off, we press our ears to Casely-Hayford's 'Cultures In Between' collection for AW12.

Taking inspiration from the acclaimed Grayson Perry exhibition ‘The Tomb of the Unknown Craftsman’ that lit up London’s British Museum late last year, Casely-Hayford brought together signifiers from a range of British cultural symbols to create a cultural similitude. As Perry prompted the viewer to consider his curated artefacts in a new context, the father and son design duo offered a sartorial reality which felt simultaneously old and new – it’s aim being to emphasise 'subcultures' which actively sought a minority style in an attempt to lay claim to an identity apart from the mainstream. For AW12, the pair draw influence from a series of British iconic signifiers associated with subcultures of the past, present and future. Parkas from 60’s Teddy boys, Biker jackets of the 70’s Punks, MA1’s from 80’s skinheads, Puffa Jackets from Manchester’s 90’s rave scene and bomber jackets from 00’s youth street culture have all been run through the Casely-Hayford design machinery for a unique reinterpretation. Throughout this considered collection, the sartorial alchemists that are Casely-Hayford offer a plethora of appealing and surprising proposals whilst cementing the House's ethos of 'Innovation through Tradition'. But what were they listening to as they practiced these recent experiments? Press play, turn it up loud and find out...


 IBN Gold - Pound
Earl Sweatshirt - Dat Ass
Frank Ocean - Golden Girl
Yuna - Thinking About You
XXYXX - Alone
Dominique Young - Unique Show My Ass (Sick To The Back Teeth Remix)
Haim - Forever
Surkin - Lose Yourself (Rustie Remix)
Echo Park - Feels Like Love
Bjork - Virus (Hudson Mohowke, Peaches and Guacomole Rework)
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Autumn Favourites... Will Westall

As mentioned in our recent post on Encens, we have always been fascinated by the idea of uniform. Many of us regularly turn to set clothing each morning for ease, comfort and confidence. With the addition or subtraction of a few layers, our sartorial habits of the everyday can prevail over any seasonal difference. In our latest instalment from the 'Autumn Favourites' series, Other's very own Will Westall tells us how an emergency charity shop buy has become an everyday favourite. Whatever the weather, his Levi's denim jacket adorned with an ever changing array of patches follows the model, stylist, creative web director and all round man about town wherever he treads. Here, against a backdrop of leaves falling under the autumn's spell, he dresses up for the season by wearing his old favourite with an assortment of his in store picks...

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"My Autumn favourite is my every day favourite. It's an old Levis denim jacket, nothing particularly special, but it's mine! 

I've had this for years and years. I picked it up for a tenner in a charity shop because it was getting cold and I couldn't be bothered to go home before going to a party. I was already out West and going back to East London because I was cold felt a bit ridiculous, I didn't have my bike and I can't stand public transport... So I suppose I can thank my utter laziness for acquiring what's since become my most treasured item. I wear it every single day of the year. Over a shirt and jumper, a tee or under a coat. If it's not on my back, it's in my bag. Over the years it's been dyed, bleached, and re-dyded which has now actually given it a really nice super soft feel to it and a really deep inky colour. It'll probably stay as it is for at least a few more years, though I imagine the patches will chop and change here and there, They've all come from gigs or tees that have finally fallen to bits. Sadly I'm not one for sewing and they tend to fall off..."

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"Full outfit run through...

Shirt - Blue flannel Thomas shirt by OTHER. Just a great cut, blue flannel button down shirt. Job done!

Sweater - Navy Albert sweat by OTHER. This one's turned into a bit of a staff favourite, it gets pretty cold in our studio, so we all end up in the same sweater at the end of the day...

Shoes - OTHER/T&F Slack, I was lucky enough to get my hands on these! Theyre not quite ready yet and still in production, so I was pretty stoked to be able to get my hands on a pair! Thanks Matthew!

Trousers - again I can thank Matthew for these ones! They were some old b Store samples that sadly never went into production, luckily for me, I managed to cop a pair and i cant seem to take them off now..." Will Westall
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A closer look at Mohsin Ali AW12

"I never want to distract from the simplicity of a garment, everything has to balance," explains Mohsin Ali in between sips of sweetened tea as he sits in his East London studio and reflects on his design principles. From built in thumb pieces to quilted linings, Mohsin Ali's debut collection was an exquisite showcase of the true beauty of menswear. Fuelled by his love for both traditional and technical fabrics as well as his fascination with cut and silhouette, we were seduced by his approach early last year. Driven by form, fabric and function, Ali's designs are ever simple yet effective and ultimately beautiful objects. It was, without doubt, one of the standout collections of the season and we've kept an interested eye on him ever since. The unveiling of his AW12 collection earlier this year sent through a ripple of excitement. Whilst continuing down his focused and well crafted path, Ali introduced print for the first time. We were left dazzled by geometric shapes. The Autumn/Winter season often offers a muted palette but Ali managed to create subtle impact with bold hues and delicate combinations. 

A few months on and as production draws to a close, we dropped by the designer's studio to take a closer look. Before we share our shots with you, I'll allow the designer himself to introduce the prints and talk through his inspirations...

"The prints evolved from researching Josef Albers work from the Bauhaus. I was originally drawn to his philosophy on industrial design and began looking in to his visuals. I didn't really know about his body of print work before I began finding it. It's simple but the sizing, colour and proportions all work together. The work that sparked it all off was actually a full triangle, a three block colour way triangle and it was a great starting point for us because I wanted to experiment with graphics. 

I'm not keen on researching something and using it literally, it has to be done in my own way. The result was actually a mistake in parts. When it went to the printers it was originally meant to done as two screens but he felt that the triangles wouldn't match up so felt it would be best to do them as one colour. When it came back it after being done in one colour it had taken on a camo like appearance. It was a good mistake, a happy accident really...

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"I really enjoyed working with graphics this season. I want to return to it this coming AW13 season and add embellishment and embroidery but still in a masculine way. It has to be masculine for it to work. I  think I'll reintroduce geometric prints but in accessories. For me,  the key thing is for people to be appreciate the products on their own."

I've appreciated Mohsin Ali's products from the moment we first encountered them and it's a pleasure to watch this design talent continue to grow. Everything is so well considered, so well made. There's a real balance to everything that he designs. I for one am excited to see what AW13 will bring.